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dc.contributor.advisorSeerveld, Calvinen_GB
dc.contributor.authorMacklin, Scott
dc.date.accessioned2013-05-15T15:40:01Z
dc.date.available2013-05-15T15:40:01Z
dc.date.availableNO_RESTRICTIONen_GB
dc.date.issued1995
dc.identifier.urihttp://hdl.handle.net/10756/291144
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherInstitute for Christian Studiesen_GB
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectCinematographyen_GB
dc.subjectMotion picturesen_GB
dc.subjectMotion picture industryen_GB
dc.subjectAestheticsen_GB
dc.subject.lcshAestheticsen_GB
dc.subject.lcshMotion picture industryen_GB
dc.titleIndependent Filmmaking: Projecting a Screen of Particularity With Integrationen
dc.typeThesisen
dc.contributor.departmentInstitute for Christian Studiesen_GB
dc.type.degreetitleMaster of Philosophical Foundationsen_GB
dc.rights.holderThis Work has been made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws of Canada without the written authority from the copyright owner.en_GB
refterms.dateFOA2018-03-05T12:13:43Z
thesis.degree.nameM. Phil. F.en
thesis.degree.grantorInstitute for Christian Studiesen


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